HEINRICH HEIDERSBERGER

ARTIST

Techno Terrain: Nature in the Age of the Metaverse

HEINRICH HEIDERSBERGER | RHYTHMOGRAMS NFTs

Andromeda

While photographer Heinrich Heidersberger did contract work for well-known architects of the Braunschweig School, he also began to experiment with luminography – the recording of a source of light in motion – at the beginning of the 1950s. He was fascinated by the idea of letting light itself become the object.
The invitation in 1955 to create a mural for the newly constructed School of Engineering in Wolfenbüttel was a welcome occasion for Heidersberger to become more involved with luminography. He began to build a device that he could use to record traces of light directly on photo material. The artist named the pictures he created rhythmograms and continued to pursue his experiments with great enthusiasm. 
Different to the constructive work of his contemporaries, who were following similar ambitions, Heidersberger’s light images have a three-dimensional aspect and also include coincidence as a principle in their design. Heidersberger found the inspiration for the multi-dimensional solution in reading a book on "Physics in Graphical Pictures". There he discovered the figures of the physicist Jules Antoine Lissajous and they challenged him to get similar results in photography.  <meta charset="utf-8">
ABOUT THE LIMITED EDITION The LIMITED EDITION print is unsigned and was printed in 2023.

#3782_182b Rhythmogramm

Benjamin Heidersberger has devoted a big part of his life to carrying on his father's legacy. As a pioneer in generative photography and algorithmic art, Heinrich Heidersberger left behind an extensive oeuvre consisting of his distinctive RHYTHMOGRAMS as well as, among others, photographs of architecture, macro shots, and experiments with lightning in nature. His explorations in the fields of generative photography and algorithmic art have gained international recognition. His RHYTHMOGRAMS are part of the collection of the Museum of Modern Art in New York. 

GENERATIVE PHOTOGRAPHY AND ALGORITHMIC ART

BENJAMIN HEIDERSBERGER: THE TRANSITION FROM ANALOG TO DIGITAL

MAGAZINE

GENERATIVE ABSTRACTION AND BEYOND aims to define a point in history where a network of artists are generating abstract works with algorithms and codes. In collaboration with Verse. 

Verse x EXPANDED.ART

GENERATIVE ABSTRACTION AND BEYOND | GALLERY

The exhibition presents pioneers from different generations, early 1950s until today, working in the field of generative art. On view will be, among others, plotter drawings, generative photography, sculptures, and NFTs from 30 international artists. In collaboration with ELEMENTUM.ART.

GROUP SHOW

THE THINKING MACHINE. PRESENTING PIONEERS, 1953-2023 | GALLERY & SHOWROOM

TECHNO TERRAIN: NATURE IN THE AGE OF THE METAVERSE explores the dynamic relationship between nature and the digital realm. The exhibition takes visitors on a journey through a mesmerizing fusion of AI-driven digital art, nostalgia-infused landscapes, and the limitless possibilities of the metaverse.



NATURE IN THE AGE OF THE METAVERSE 

TECHNO TERRAIN | SHOWROOM

Heinrich Heidersberger had an influence on the history of generative photography and algorithmic art with his RHYTHMOGRAMS which are, among others, in the collection of the Museum of Modern Art in New York.

ESCAPE THE DARKNESS. RHYTHMOGRAMS, 1953-1965 

HEINRICH HEIDERSBERGER | GALLERY

EXHIBITION

View the NFT (Tezos) on <a href="https://objkt.one/t/82">objkt.one</a>. ABOUT EXPANDED.ART x objkt.one All NFTs (1 of 1s) will be available via auctions on objkt.one on August 31, 6 PM CET.
ABOUT THE WORK 09065_001 SCHEESTERNCHEN (EN: little snowflake) by Heinrich Heidersberger covers a wide range of topics, from architecture to algorithmic art. 
The focal point of this piece is snow crystals. On cold winter nights, Heidersberger caught single snow crystals to photograph them with a specially constructed microscope. It was originally produced on a 6 x 6 roll film. Affectionately, he called the result SCHEESTERNCHEN. 
Inspiration was likely drawn from the work of the US-American Wilson A. Bentley, who photographed thousands of snow crystals, analysed them, and published a book in 1931. The seemingly infinite multitude of shapes results from the molecule structure of water. 
In collaboration with Benjamin Heidersberger and Institut Heidersberger.

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Heinrich Heidersberger

09065_001 Schneesternchen

ARTIST

ART

MAGAZINE

EXHIBITION